Advice
Comedy Writer: Know Thyself!
Posted by D.B. Gilles on
I know a lot of comedy writers.Some are funnier than others both in daily life and on the page. More often than you’d imagine, the funniest scripts are written by men and women who aren’t that much fun to be around. They can “write” funny, but not “be” very funny during normal life. Some are downright boring while others are depressed and a drag to be around. Likewise, some of the funniest writers I know are hilarious when they’re hanging out with friends or one on one, but they aren’t funny on paper. Because they were so funny, early in...
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Evolving Story
Posted by Jen Grisanti on
Strong story comes from so many different perspectives. There is value in every unique perspective, including your own. As storytellers, our story evolves as life moves forward. We continue to learn more about story from experiencing and interpreting our own life story and the stories of those around us. We learn new tools and techniques in how to tell story in the best way possible in order to have the optimal emotional effect on our audience. We breathe in story and breathe out the potential to emote and help others feel that their own life experience is connected to a...
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Myth, Magic, & Metaphysics in Your Media
Posted by Pamela Jaye Smith on
There’s MAGIC in the air, whether from Harry Potter’s wands or the wizards of Lord of the Rings. Ancient MYTHS come to life in modern forms from the Mayan calendar and Roland Emmerich’s 2012 to Slumdog Millionaire’s version of Orpheus and Eurydice.The principles of METAPHYSICS are all the rage in our personal lives from those Laws of Attraction promoted in The Secret to secrets of the gods and the afterlife as explored in Battlestar Gallactica. These three categories overlap, and each is a rich source of story material because they are some of the most enduring and popular ways we...
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Light A Fire: Writing For Celebrity
Posted by CreateSpace on
Artists want control. Really? How refreshing! Or, are we just making up new ways of defining independent? Perhaps. If a green light comes from independent financing and not a studio, you’ve got an independent. In 2009, 36% of the total film market was created by independents (showbizdata.com). In 2010, the number was slightly less at 32%. The remaining 63 to 68 percent of the market was split among WB, Paramount, Universal, Buena Vista and Sony. So, what does that mean for screenwriters? A lot. It means everyone is looking for the next Juno, The Kids Are All Right, Slumdog Millionaire,...
- Tags: advice, expert series, hester schell
John Truby Interview February 2011
Posted by John Truby on
John Truby is Hollywood's premier screenwriting instructor and story consultant. Over the last 25 years, more than 30,000 writers have attended his sold-out seminars around the world, with the American Film Institute declaring that Truby's "course allows a writer to succeed in the fiercely competitive climate of Hollywood." Called "the best script doctor in the movie industry," Truby regularly serves as a story consultant for major studios and production companies worldwide, and has been a script doctor and story consultant on more than 1,000 movies, sitcoms and television dramas for the likes of Disney, Sony Pictures, FOX, HBO, Alliance Atlantis,...
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