Advice

The reality of reality is that the genre may be the most often overlooked option when it comes to careers in storytelling. While the debate about whether or not reality television is “written” rages on, the real skinny is that story is story, and story is written - sort of. Pause for a moment to consider host copy, interview content and carefully structured stories that can span the length of a single episode to the full duration of a series. Life doesn’t just tumble through a lens and spill out the other side of a cable as a series of...

KATHIE FONG YONEDA: Everybody knows that getting hired in this business is about who you know. So, Ellen, you’ve been hired to write on over twenty shows, how do you get to know people and even more important, how do people get to know you? What is your advice on networking?ELLEN SANDLER: Actually I hate the word “networking.” It sounds so calculated, because it is. I don’t think it’s really the most productive thing to be doing – that kind of “active networking” thing.K: You mean where people are rushing at everyone handing out cards and pitching their loglines?E: Yeah....

Pilar Alessandra is the director of the Los Angeles-based writing program On The Page and a highly sought-after speaker and script consultant. She’s worked as Senior Story Analyst for DreamWorks and Radar Pictures, trained writers at ABC/Disney and MTV/Nickelodeon and presented classes at The Great American Pitchfest. Her students and clients have sold to Warner Brothers, Sony and more. She recently released her new book, The Coffee Break Screenwriter Writing Your Script Ten Minutes At A Time.Ann: In your book, The Coffee Break Screenwriter, you discuss how emotion + action tells the story, can you share your theory about story...

Most of us have read quite a few books on screenwriting, attended classes, watched videos and perhaps even had some success selling our screenplays. Somehow, the best process for structuring a screenplay or TV show remains elusive, so we continue to search for better ways to write our scripts. I have found an answer that will allow you to use what you already know, better and more efficiently.The Four Magic Questions of ScreenwritingThe Questions are a technique that when applied to dramatic structure makes the process of organizing a plot easy and fun. The Questions are like a Swiss Army...

How much thought do you think writers should invest in terms of tracking the broad strokes of the protagonist’s emotional journey when structuring the story?I think all screenwriters should know the emotional journey from beginning to end. If you have the character’s arc clearly in mind, you can then begin to build your story and character utilizing the emotional journey as one of the major leads into the physical journey. Action and character, those are the two things to follow during the unfolding of the script. Take a look at Avatar or The King’s Speech – it’s an emotional journey...