Advice — expert series

How to Write for Television: 4 Rules of Series TV

Posted by Pamela Douglas on

Break out of the box of traditional screenwriting assumptions! In this excerpt from Writing the TV Drama Series: Second Edition, Pamela Douglas gives you some new rules for writing television that have changed significantly in just the past couple of years.An hour show has to fit in an hourActually, a network hour is less than 50 minutes, with commercial breaks, though pay cable may be longer, and syndicated hours are shorter. Usually, scripts for drama series are around 60 pages, though a fast-talking show like The West Wing sometimes went to 70 pages. On networks that break shows (for example...

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The Use of Flashbacks in Movies

Posted by Syd Field on

At this moment in time, I think we're in the middle of a screenwriting revolution, a time where screenwriters are pushing the form and craft in new directions. I firmly believe that the traditional way of "seeing things" has changed, and we're looking for new ways to match our experiences and incorporate the new technology into our stories.In terms of the contemporary screenplay, it seems like we want to get closer to the subjective reality of our characters. Take a look at Atonement, The Lookout, Babel, The Bourne Supremacy, Kill Bill I & II, Eternal Sunshine of the Spotless Mind,...

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A Dash of Style: The Period, Part 4

Posted by Noah Lukeman on

In last month's excerpt from my book, A Dash of Style: The Art and Mastery of Punctuation, we discussed a few of the dangers of underuse of the period, as well as the role that context plays in punctuation. In this, the final installment, we'll continue examining the pivotal role of context, and take a look at what your usage of the period might reveal about you. In the hands of a master like Shakespeare, the context of period placement and sentence length takes on layers of meanings--indeed, is taken to a whole new level. Let's look, for instance, at...

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A Character's Fatal Flaw: The Vital Element for Bringing Characters to Life

Posted by Dara Marks on

Growth is the by-product of a cycle that occurs in nature; that which flowers and fruits will also eventually wither and go to seed. The seed, of course, contains the potential for renewal, but does not guarantee it, nor does the seed instantly spring to new life. There is a necessary dormancy where the possibility of death holds life in suspended animation. In the cycles of our own lives, these near-death moments are rich with heightened dramatic possibilities that the writer wants to capitalize upon. These are the moments in the human drama where the stakes are the highest, where...

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A Dash of Style - Part Four

Posted by Noah Lukeman on

In last week's installment of my book, A Dash of Style: The Art and Mastery of Punctuation, we began to discuss ways that quotation marks might be misused. In this final installment, we'll examine this issue in depth, and also look at the power of quotation marks when used in context with other punctuation. In some trendy works (and classic works, too) you'll find that authors opt not to use quotation marks at all, but rather to indicate dialogue with some other mark, such as a dash, or italics, or no mark at all (not to be confused with paraphrasing)....

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