Advice — advice

Documentary filmmakers, no less than dramatic screenwriters, strive to tell strong, often character-driven stories that have a beginning, middle and end, with something at stake, rising tension, and a narrative arc that keeps viewers actively engaged. Unlike dramatists, however, nonfiction filmmakers can't invent characters and plot points, but must instead find them in the raw material of real life. "The documentarist has a passion for what he finds in images and sounds - which always seem to him more meaningful than anything he can invent," wrote media historian Erik Barnouw. "It is in selecting and arranging his findings that he...

-- About The Screenwriter Who Decided To Write A Comedy? There was a moment in your life when you acknowledged to yourself that you were funny. Maybe you were trying to be funny. Maybe you weren't. Maybe it just slipped out. But somebody laughed. It might have happened when you were in second grade, a freshman in high school, senior year in college or when you were out of school and into a career. Somebody laughed. You liked saying funny things. Maybe you even loved it. Getting laughs did something to you. Maybe it built up your confidence. Made you...

Want to double your chance for success in this business? If so, we strongly suggest you write with a partner. Yes, you have to find the right person, and when you start selling your scripts, you'll split the money, but we, and the successful script partners we've talked to, agree that the advantages of sharing the writing far outweigh the disadvantages of sharing the bottom line. It would take a book (and we wrote it!) to explore all the reasons to write with a partner, so we've assembled the consensus Top Ten, as follows: 10. It's a dog-eat-dog business -...

Our reader Tim Kessler asks: I have developed an idea into what needs to become a film treatment. Can you suggest how I can take what I've got into a piece of work that can be properly used to apply for funding for the expedition/ documentary? Do I need an agent? I have friends who are themselves doc makers and producers who have told me that I have the bones of a film treatment but I don't have a clear vision of how to create the product. Any help or suggestions would be appreciated more than I can express. Steven...

Each year hundreds of screenplays become feature films. And each year thousands of teleplays become television episodes. Opportunity-wise, televisions's got feature films beat. TV's got the heat. The magic. The glitz. All that's missing is you. How do you change that? Well, first you've got to dedicate yourself to the Game. Accept the fact that TV is a personal business. It's about YOU first and your talent and ability second. Your next step is to adopt the "career" mindset. In television almost no one hits the jackpot with one script. In television we make a reputation for ourselves, amass credits...