Advice — advice

The three act structure is not a story structure. You can't find it in myths and legends or other great stories of the past and you can't find it in nature. So why is it being applied to the screenplay or the story of a film? It's a good question because it makes no sense. And my very strong recommendation in this article will be that you avoid thinking in act structure terms when creating a story or story film. The three (four, five, six, or seven) act structures are the arbitrary divisions of the principal (or main) action of...

In the previous issue, we examined interdependent journeys, obstacles and destiny, and how all of these might affect the journey and the characters in your work. In this, the final installment, we'll take it one step further, and see if we can't explore the very boundaries of the journey. This means considering a journey that leads to a journey, a character that doesn't journey at all, and the very purpose for the journey itself. Why do readers need journeys after all? The Journey that Leads to a Journey The problem with resolving a journey is that the reader feels he...

Last issue we looked at some of the outside influences that might impact a character's traditional journey, such as his beginning, his destination and circumstance. In this installment we'll continue to examine outside influences which might affect the course of a traditional journey, and give it further meaning and substance. Obstacles Obstacles are among the most powerful of tools at a writer's disposal: they prolong a journey, create problems with resolve, cause conflict, and aid in suspense. Indiana Jones, one of the highest grossing films of all time, is sustained entirely by obstacles. The protagonist has a mission, and as...

To steal someone's car, money, parking space - that's low. But to steal someone's story? A little made-up tale? A hundred pages of FADE IN here and CUT TO there? Is that even stealing?Um, how can we put this - YES, DAMMIT! It is! Stealing of the worst kind! Because many hours have been spent and emotions invested, and, funny, but an original story that's already been read by half of Hollywood somehow just doesn't seem so original when pitched a second time. Cars are insured, money can be borrowed, and, okay, a good parking space can be worth quite...

Last issue we examined the 7 surface journeys, and learned how finance, friendships, physical change, education, stature and family can quickly and effectively impact a character's journey. We've by now covered all of the profound and surface journeys--yet the journey does not end there. There are other influences that can impact a character's journey, other issues to keep in mind that can have equal weight on his path and destination. Let us consider a few of them. Journey and Circumstance Say your character returns home to find his house burned to the ground, or that he loses his entire family...