Advice

This sound familiar? You take a thankless job to pay bills for six months while you write the next great screenplay. Ten years and 20 jobs later, that great script still eludes you. Thinking about giving up? Marc Norman was. Fortunately, he decided to rededicate himself to learn the craft and write one last script. The result was Shakespeare in Love and Norman's reward was an Oscar. As a means of offering encouragement to others wondering if they should continue writing, Norman agreed to share his story. Norman received a Masters degree in English at UC Berkeley. As a film...

WGA REGISTRATION vs. COPYRIGHT REGISTRATION For screenwriters who use the latest version of Final Draft ® to help write their script, one nifty feature is the ability to register the screenplay with the WGA-West Intellectual Property Online Registry with the touch of a button. Many (if not most) screenwriters register all of their scripts with the WGA Registry, and, believing that they have done all that is necessary to protect their script, they neglect to register the script with the U.S. Copyright Office of the Library of Congress. Imagine their surprise when someone steals their screenplay and they learn for...

Building Your StoryYes, this is where I invoke the often-dreaded "O" word.OutlineI continue to be amazed by the number of screenwriters and working, published novelists I meet who do NOT outline. And at the risk (one from which I have rarely shied) of coming off as a smartass -- they are wrong.I hasten to point out that they are not necessarily bad writers. Some great writers work that way (on a tightrope, without a net). What I am suggesting -- and this is both arguable and unprovable -- is that their work -- their end product -- would probably be...

In past articles, we've talked about the story elements found in most blockbuster films. But what about the obstacles that prevent us from writing a hit film? I'm referring to the misconceptions many writers carry with them that make it almost impossible for them to write a successful script. One especially egregious myth that kills writers is the idea that their script will succeed if only they get the right agent or make the right contact. We all know that thousands of scripts are written every year. So we think the answer to winning this intense competition is to get...

It may seem peculiar in the 21st century to discuss screenwriting in the same breath as anything that had to do with the 19th century. What does one have to do with the other? After all, the only visual representation that remotely resembled a motion picture was Muybridge's zoopraxiscope: a revolving device consisting of a series of still shots photographed in sequence that appeared to move when viewed through a narrow viewing port. It had no story, only the novelty of movement. The imagination of the viewer filled in the rest. Once motion pictures began telling stories, filmmakers looked to...