Advice

Victorians' Secrets: A Nineteenth-Century Guide to Screenwriting, or How the Victorians Invented the Screenplay

Posted by Michael Halperin on

It may seem peculiar in the 21st century to discuss screenwriting in the same breath as anything that had to do with the 19th century. What does one have to do with the other? After all, the only visual representation that remotely resembled a motion picture was Muybridge's zoopraxiscope: a revolving device consisting of a series of still shots photographed in sequence that appeared to move when viewed through a narrow viewing port. It had no story, only the novelty of movement. The imagination of the viewer filled in the rest. Once motion pictures began telling stories, filmmakers looked to...

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The Journey of the Antihero in Film: Exploring the Dark Side

Posted by James Bonnet on

You have, no doubt, heard of The Hero's Journey. In this article, we will explore the lesser-known ANTI-hero's journey and the uncharted dark side of the passage—the place where the dark forces live and hatch their nefarious schemes. In real life, it's people like Hitler, Jack the Ripper and Saddam Hussein who personify these dark forces. In story, it's great villains like Voldemort, Hannibal Lecter, Darth Vadar and Satan that embody the dark side.Harrison Ford as Indiana Jones, Jodie Foster in 'The Silence of the Lambs' and Sigourney Weaver in 'Alien' are heroes. Their actions are motivated and influenced by...

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Another P.O.V.

Posted by K Callan on

Veteran actress K Callan has authored several great reference books for actors, directors and others who need a foot (or a good agent) to open the door to the biz. Here, she recaps her advice for screenwriters answering some of the most immediate questions that writers have. ~~~ Will you read my script? I could read your script, but I'm not someone who can 'pass you along,' that's not what I do. I've recommended two fine young writers to my agent, and they have still not been read. One of them even had had his film produced and had a...

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Secrets of Blockbuster Movies - Part I

Posted by John Truby on

Hollywood is interested in one thing: a script with blockbuster potential. Why? Because the revenue from films is now global. The typical hit film makes more money from foreign revenue than it does from the U.S. Couple that with the exorbitant cost of making and selling a film and you've got an entertainment community that won't even look at a script unless it has blockbuster written all over it. That's a big problem for most screenwriters. Most writers, if they have any training at all, never learn the techniques for writing hit films. In fact they don't even know such...

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Secrets of Blockbuster Movies - Part II

Posted by John Truby on

Don't be fooled by the notion that no one knows anything. Buyers may not know if a particular script will make over $100 million, but they have a pretty good idea of certain major story characteristics found in most blockbuster scripts. The top professional screenwriters -- the ones who get all the jobs -- know what they are, too. While the vast majority of screenwriters are off pounding out their simple three-act scripts, top screenwriters are using fundamentally different techniques. Three-act structure is designed to give you the same script everyone else is writing. Plus it tells you nothing about...

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