Advice
How to (Actually) Accomplish your New Year’s Resolutions: The Five Keys to Success
Posted by #N/A on
It’s a new year. You’re rested, well fed, and got your batteries charged up over the holidays. You’re excited, darn it, to get going on with those infamous resolutions. So, what are they? Lose ten pounds, stop biting your nails, exercise and meditate? Right. Now let’s talk about your career. Sell a script? Write every day? Get your work in front of an agent? Get that A-list producer/director/star onboard? Get the financing? But let me ask you this… Did you have any of these same resolutions last year? If the answer is “yes,” you’re not alone.What’s going to make this...
6 Film Distribution Myths You Need to Know
Posted by Screenwriting Staff on
One of the major Achilles’ heels for film producers and directors is the distribution game. Once you’ve made your movie, what do you do? How do you play the game? What strategies do you employ? Is there even a strategy? Well, there’s good news and bad news. The good news is there are indeed strategies to use and employ. The bad news is that most filmmakers don’t know what they are, and flounder around trying to figure them out. What’s even worse is too many filmmakers throwing in the towel and just dumping their film online, hoping it “hits” somehow....
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The Types of Monster Movies
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The Monster story is one of the favorite types of Myth Archetype: the main character goes through an Outer Story, and that Outer Story symbolizes an Inner Story of emotional change. Monster stories have been popular for centuries. Initially, a monster of some kind menaces the hero and the community. In Beowulf, the village is threatened by Grendel. In the first James Bond movie, Dr. No, the world is threatened by a monstrous supervillain. The monster can be an extraterrestrial monster, as in Alien, a monstrous animal, as in Jaws, a monstrous human, like Glenn Close’s character in Fatal Attraction,...
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Now Write! Mysteries Excerpt: Planting a Seed
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Reading a great mystery novel is a lot like horseback riding. Sometimes, you’re cautiously slow-walking on unfamiliar turf. Other times, you’re head-bobbling-wobbling trotting. Then there are those times when you’re whooshing along on a take-your-breath-away gallop. This variety of pace is one of the key elements contributing to the thrill and excitement of the ride. Another is fear. (What if I fall off the damn horse?)In keeping with this metaphor, mystery writing then becomes somewhat like laying out a course for the rider. The author must include an assortment of terrains to make the ride interesting and somewhat challenging. There...
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The Internal Drive of the Story
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Understanding the internal side of your story conveys to your audience the depth that is felt emotionally and spiritually. Two authors, Jennifer Grisanti and Kim Hudson, offer insight into how to write the internal story into your screenplays and give them this compelling quality.In Story Line: Finding Gold in your Life Story, Jennifer describes the internal components of story and why tapping into what you have felt deeply about in your life is the best place to write from. There are so many things including your theme, stakes and the internal part of your goal that comes alive when you...
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