Advice

In Hollywood and New York, the concept is king. To succeed as a writer or filmmaker, you need more than a skillfully constructed novel or beautifully directed film. You need an idea that will be talked about, generates excitement and compels the right people to get involved. A great idea, as it turns out, has an anatomy and a structure and that which makes a subject fascinating, a title intriguing or an idea exciting can be described and learned. Understanding the High Concept is the key to accomplishing that. But what is a High Concept? Simply put, a high concept...

Have you ever wondered why characters like Sherlock Holmes, King Arthur, Achilles, Scrooge, Dorothy and Superman go on forever? The real secret of their immortality lies in something you've probably never equated with the creation of a great character or a great story -- the quintessential. But if you fathom the secrets of this remarkable quality, you can use it to make your characters truly charismatic and merchandisable and just about everything else in your story more fascinating. According to the dictionary, the quintessential is the most perfect manifestation or embodiment of a quality or thing. It is the ultimate,...

Pacing, as it applies to fiction, could be described as the manipulation of time. Though pacing is often overlooked and misunderstood by beginning writers, it is one of the key craft elements a writer must master to produce good fiction. Best-selling author Elmore Leonard recommends simply 'cutting out everything, but the good parts.' While this is interesting advice, the following article covers the matter of pacing in a bit more detail.The elements of time delineated in your story or screenplay include the time of day or period; scene versus summary; flashback; and foreshadowing. Elements of time raise the following questions:...

There's an old joke about the relationship between writers and agents: a writer comes home to find police and fire trucks crowding the street. As he scrambles out of his car, he sees that there's nothing left of his house but a pile of black dust and smoking embers. Stricken, he asks the officer in charge what happened. The cop shakes his head and says, 'Well, it looks like your agent came to your house, murdered your entire family, took all your valuables, then burned the place to the ground.' To which the writer responds, with an astonished smile: 'My...

Raymond Chandler wrote his first screenplay at 56. He didn't even publish his first novel until he was 51. For the record, he wrote the original screenplays for 'Double Indemnity' and 'Strangers On A Train.' In 1939, after F. Scott Fitzgerald's career as a novelist had faltered, he needed money fast. He went to Hollywood and found work as a screenwriter. He was 43 years old. William Faulkner wrote his first screenplay at 48. Joseph Mankiewitz (who, incidentally, rewrote Fitzgerald) was well over 35 when he wrote 'All About Eve.' As for contemporary screenwriters: William Goldman is pushing 70; David...