Advice

How do I Treat my Treatment?

Posted by Michael Halperin on

Question: I have completed my screenplay, but I never wrote a treatment. I met a producer who wants to see a treatment only. Some people say a treatment should be three pages long, some say 12. Any advice? Michael Halperin, author of 'Writing the Killer Treatment,' responds: Before starting out on a treatment based on a completed screenplay, you have to ask questions. Does the producer actually want a treatment, or does he want a synopsis of the screenplay? Some producers continue to confuse one with the other. Writers go off and write their treatments and deliver them. Producers wonder...

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On Journaling

Posted by Rachel Ballon on

Journal writing is a wonderful way to know yourself and to discover exciting ideas inside you. There are many ways to apply journal writing. As a script consultant and as a licensed psychotherapist in private practice in Los Angeles, I have used journal writing with hundreds of writers and non-writers alike with amazing results. Journal writing is a healing tool that is cost-effective and helps people in times of stress, crisis and recovery. All you need to begin the journal writing process is a pen and paper. It doesn't matter whether you're writing a personal journal or using a journal...

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What's My Genre?

Posted by John Truby on

I've spoken before in this column about the fact that 95% of writers fail in the premise. You may come up with a terrific one-line idea for a movie, but if you don't develop it the right way, the best scene writing in the world won't make a difference. The single most important decision you must make when developing your premise is: what genre should I use? Genre is a particular type of story, like detective, comedy, thriller or action. The reason genre is so important is that the entire entertainment business is based on it. That sounds like a...

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Writing in Restaurants

Posted by Jonathan Dorf on

Some writers do their best work hunched over the computers at their desks. Others work in libraries. Or at the beach. But I like nothing better than writing in a restaurant. While some people are terrified at the prospect of dining alone, for me it's a chance to let someone else do the cooking, serve my food and do the dishes while I relax and inhabit my current play or screenplay. Call me a caveman, but when I write at a restaurant, I don't bring along my laptop. I bring a legal pad and some pens. Here's why: when I...

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Exercises to Nurture the Creative Process

Posted by Linda Seger on

Linda Seger is a popular consultant and lecturer who travels throughout the world speaking to new and established filmmakers on creative ways to make a screenplay great. In this segment of an in-depth interview she gave to Writers Store staffers, Seger discusses the creative process, what it means to her and exercises for writers to use to expand their own creativity. As a script consultant Linda Seger has worked with more than 2000 scripts, from 'The Neverending Story II' to 'Midnight in the Garden of Good and Evil.' She is the author of two bestsellers, 'Making A Good Writer Great'...

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