Advice

~~ Question by Melana: 'I've read a lot of articles in the trades about battles between screenwriters and directors and/or producers (and sometimes actors) about changes in the script. Can you tell me how much control can a writer expect to have once a script has been submitted? And what about rewrites? Does a writer always have to go along with the changes requested? Can you ever say 'No?' If you disagree with the changes, do you have any recourse?' Melana, Montclair, NJ ~~ Ron Suppa responds: The long and the short of it is this: the author of a...

~~ Patrick O. asks: How will I know whether my script idea is better suited for television, independents or a major studio? I've seen coverage comments that one idea may be suited for a MOW [Movie of the Week], but how does a writer know this in advance? Whom do I pitch? Patrick X. O., Hollywood, FL ~~ Larry Brody responds: I know a little about TV after over 30 years in it, and what it all boils down to is this: Television movies are more issue-oriented than theatrical features. In many ways, they're more adult -- although the adult...

Duane Eaders of WA asks: Is it possible to retain the rights to your characters -- names, appearance, etc. -- once you have sold your screenplay? For example, what if you have developed a character/person/creature that you intend to expand into a franchise of multiple films, toys, games and so on... (like Gremlins, Jack Ryan, Spy Kids)? How do you continue to legally create the screenplays and all of the spin-offs if the purchaser of the original concepts owns all the rights attached to your screenplay? Our Experts Dina Appleton & Daniel Yankelevits respond: Unfortunately, it is extremely unlikely that...

Dear Gatekeeper: Would you recommend entering a screenwriting contest? I have a script I would like to submit, and would appreciate some feedback on what they have to offer and any other advice on contests you can give me. Thank you. Janice, Washington, D.C. Larry Brody Responds: These days, with so many new writers out there with no credits, screenwriting contests serve as screening devices. Winning, placing, or even being a finalist or semi-finalist in any of the major screenwriting contests is almost as good as a production credit and gives a new writer credibility you otherwise wouldn't have had....

Our reader Sara asks: As a new writer trying to get a handle on what is SEEN ONLY, I find getting my character's feelings and objectives across ... challenging. How much latitude can be taken in such descriptions? What about adjectives and adverbs? I realize one shouldn't use 'Kelly's playful entrance floods him with a long-forgotten sense of whimsy. The other board members do not approve.' -- But what about, 'Kelly impishly skips to her chair. The stuffed shirts around the shiny mahogany conference table glare disapprovingly, except Brian, who smiles in awe.' -- or should it simply be, 'Kelly...