Advice

Clint and Meryl vs Matt and Cameron

Posted by D.B. Gilles on

You wake up one morning with a great idea for a movie about a guy in his late sixties-to-early-seventies. The concept pours out of you like a dream. You go to your computer. Before lunch you've done a rough outline of the first act. By dinner you've mapped out Act Two. By the time you go to bed you've got a decent third act, even though you're not exactly sure how it's going to end. All day long you're thinking that it would be a great vehicle for Clint Eastwood. Or Dustin Hoffman. Or Robert Redford. Maybe your idea is...

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Finding the Right Writing Partner

Posted by Claudia Johnson on

Some of the greatest movies and TV series have been written by script partners, from Billy Wilder's legendary collaborations with Charles Brackett and I.A.L. Diamond to the Academy Award-winning work of the Coen Brothers. Each year the list of script partners and their successes grows longer. Why? Because collaborative scriptwriting is one of the most productive and successful ways to write. If you find the right writing partner. Okay, you may be thinking, but how do I do that? It's a question many writers have asked us since we started our collaboration, and a question we've asked many collaborative writers....

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Hero is a Four-Letter Word: Unmasking the Hero

Posted by Melanie Ann Phillips on

Part One Introduction Perhaps the best-known character type is the Hero. But if you ask a thousand different writers to define a Hero, you'll get a thousand different answers. That's because the term has been used so indiscriminately it has become a catch-all to describe the central character around which a story revolves. What's more, the word Hero has been used interchangeably with Protagonist, Main Character, Central Character and even Good Guy. As convenient as that may be, it muddies the true nature of the Hero, and makes it a useless moniker - a four letter word - full of...

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Taking the Leap to Playwriting

Posted by Jonathan Dorf on

Our Reader Asks: I'm currently doing research for a creative nonfiction book but the more I delve into the subject and characters, the more I feel it should be written as a stage play rather than a book. It has a fascinating story, a strong female central figure taken right out of a piece of U.S. history, takes place at a time when music was a big part of the culture (which would, then, hint at possibly a musical), and has strong emotional contrasts. My gut feeling is that it would make a great play, which is very frightening to...

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The Emotional Pattern of Plot

Posted by Linda J. Cowgill on

When we think of plot we usually think in terms of action. Action is driven by what the characters want and the conflict that stands in their way. So the basic parameters of plot give a story direction and meaning: characters act on their desire, which leads to action, which in turn leads to conflict. But drama is as much about the repercussions of an action as it is about the action itself. It's not just the momentum of action that frames the story, but how characters respond to the action that ultimately conveys meaning to the audience. Is a...

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