Advice

To steal someone's car, money, parking space - that's low. But to steal someone's story? A little made-up tale? A hundred pages of FADE IN here and CUT TO there? Is that even stealing?Um, how can we put this - YES, DAMMIT! It is! Stealing of the worst kind! Because many hours have been spent and emotions invested, and, funny, but an original story that's already been read by half of Hollywood somehow just doesn't seem so original when pitched a second time. Cars are insured, money can be borrowed, and, okay, a good parking space can be worth quite...

Last issue we examined the 7 surface journeys, and learned how finance, friendships, physical change, education, stature and family can quickly and effectively impact a character's journey. We've by now covered all of the profound and surface journeys--yet the journey does not end there. There are other influences that can impact a character's journey, other issues to keep in mind that can have equal weight on his path and destination. Let us consider a few of them. Journey and Circumstance Say your character returns home to find his house burned to the ground, or that he loses his entire family...

What is Hollywood's Best Kept Screenwriting Secret? Answer: The Expanded Scene Breakdown. What is the Expanded Scene Breakdown? It's the middle step between the story development stage and the script itself. Another step in the screenwriting process, you ask? The Expanded Scene Breakdown is a 20 to 40+ page point by point, step by step, scene by scene outline of the entire screenplay in prose form using dialogue, character development, action, etc. It's an essential way to see the entire movie before you reach the screenplay stage. It's also is the most difficult part of the process, the most necessary,...

Our reader, Jimmy Pearson of Minneapolis, MN asks: I've got 3 scripts under my belt. How can I get someone to read my work? Professor Richard Walter, longtime Screenwriting Chairman of the legendary UCLA Film School, answers: Writers never stop asking me how they can get read by agents, managers and producers. My response is always the same. You "merely" need to have something WORTHY of an Industry Insider's time and attention. They aren't inaccessible. Writers want to continue to think they are, though. That's how they can blame Hollywood, rather than their own work, for why they're not getting...

Last time we introduced the idea of the "surface" journey, a journey which lacks the depth of a "profound" journey but which is nonetheless highly visible and a powerful aid in complementing a work. One of the seven surface journeys (such as romance) may not have the timeless impact of one of the three profound journeys (such as self-realization), yet romance, or any of the other surface journeys, adds an immediate arc to a work, and most importantly, to a character's journey. In our struggle to create a strong character and a strong journey for him, these highly visible markers...