Advice

The Man who Yelled 'Save the Cat!'

Posted by Blake Snyder on

I was at a screening of Cinderella Man when it happened. In an early scene in that film, Russell Crowe, who portrays '30s prizefighter Jim Braddock, gives his daughter his only slice of bologna. "I had a dream last night where I ate a big steak," he explains to the little girl. "I'm stuffed. Can you help me out?" We are in the middle of the Depression. The little girl is starving. And Russell shows he is man enough to forego his own breakfast for the sake of his child. It's a touching moment; many in the theater are tearing...

Read more →

Writers and Directors

Posted by Jack Rothman on

Reader Gail McCall of Toluca Lake asks What attributes do directors believe writers need to have for good collaboration to take place on the set? Expert Jack Rothman replies For my book, Hollywood in Wide Angle: How Directors View Filmmaking, I interviewed a cross-section of 32 feature film directors. In our talks, they gave their take on qualities of writers that make for good collaboration on the set. I'll spell out their responses briefly. Directors like working with writers who see the director as the decision maker in the situation, the person truly in charge of the process and outcome....

Read more →

Formatting Scripts to Sell: Advanced format and style tips that can turn a good script into a great read

Posted by Christopher Riley on

Before a film or television script can fulfill its destiny in front of cameras and on screens around the world, it must first succeed as a piece of literature, a document that captivates the reader before it delights the viewer. Since film and television are collaborative media, the first job of a script is to attract collaborators: producers, agents, executives, directors, actors. These readers are a script's primary audience. How to captivate them? A fresh story driven by compelling characters doesn't hurt. But neither does a style of screenwriting that gets itself out of the way and allows the story...

Read more →

Interview with Steven Priggé, author of Created By: Inside the Minds of TV's Top Show Creators

Posted by The Writers Store on

Steven Priggé, a one-time assistant on the hit sitcom Spin City starring Michael J. Fox, has written a new book entitled Created By: Inside the Minds of TV's Top Show Creators. Between the covers, Priggé delves into the minds of people like Max Mutchnick and David Kohan (Will & Grace), Brenda Hampton (7th Heaven), Josh Schwartz (The O.C. ), Amy Sherman-Palladino (Gilmore Girls), Joss Whedon (Buffy the Vampire Slayer, Angel), Bill Lawrence (Scrubs), Ilene Chaiken (The L Word) and others, to ask the questions all aspiring TV writers want answered, such as: How do I get an agent? What spec...

Read more →

Cinematic Storytelling and Directing the Director

Posted by Jennifer Van Sijll on

Let's assume you have a great story. You've got a great hook, premise, structure, theme and characters. Despite these necessary qualities, it's still anyone's guess if you've got a great screenplay. Why? Because having a great story is only half the job. To get to the finish line, you also need a story that's rendered cinematically. When the studio readers read your script they need to be able to imagine it up on the screen. If they can't, you may have a great radio play or a budding novel, but it's not a screenplay unless you write it as one.Classic...

Read more →