Advice — noah lukeman

Last week we looked at the three profound journeys. This week we'll turn to the seven "surface" journeys, journeys which are less profound, but equally important when crafting fiction. The profound journeys are internal and substantial; the surface journeys are external and might not be substantial. Nonetheless, they are highly visible, can have a great impact on a story, and must be used to fully complement a work. Before we turn to them, though, let's pick up where we left off last week. Last week we talked about a character's taking a profound journey and coming to a realization about...

"Writing a book is like driving a car at night. You only see as far as your headlights go, but you can make the whole trip that way." -E.L. Doctorow Hollywood studios test market their major motion pictures before releasing them to the public. They spend millions of dollars to gauge audience reaction, to find out, simply, if viewers are satisfied. What constitutes a satisfying experience? Is it universal? Is it something that can be manufactured? Why can't it suffice for us to watch merely a synopsis of a story? Why do we want to sit down with a 500...