Advice — gatekeeper q & a

Can Sinatra Get Me Into Trouble?

Posted by Larry Zerner ESQ on

Patrice from Los Angeles asks: I'm currently writing a screenplay that I'll be directing myself in about 10 months. I would like to use a Frank Sinatra look-alike to sing 3 ORIGINAL songs in the STYLE of Sinatra. Is that a copyright violation? Do I need to get approval from the family of Sinatra before I can use his likeness? Larry Zerner ESQ responds: This is an issue that comes up quite a lot, and you were correct to spot this as a potential problem. But I don't think this is something you have to worry about. Using a celebrity...

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Frustrated Selling My Spec Script

Posted by Howard Meibach on

Dear Gatekeeper: I've finished my spec script, entered a couple of contests and sent out a zillion query letters by mail and email. The only response I received was from an agent who will represent me if I shell out $25 for every submission. I'm willing to invest the time and energy, but just don't know what 'creative' steps I can take next. Help. Suze Q., Santa Monica, CA This Week's Gatekeeper Howard Meibach responds: Dear Suze, what you need to do next is what I like to call 'Selling your screenplay outside the box.' I'd like to make a...

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Action vs. Dialogue

Posted by Jeffrey Alan Schechter on

Question: The first five pages of my script contain a lot more movement than speech. Because of this, it's exceeding the one-page-per minute rule. It just seems to take me more pages to describe action than it does for dialogue. Is this a common problem? Do readers take this into account? Can you give me a bit of advice to either put my mind at ease or teach my to overcome this? G.K. Brothers, KS Jeffrey Schechter responds: Don't get too hung up on the one page per minute rule. While you're right that description can sometimes read slower (or...

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Are Sequels Fair Game?

Posted by Dina Appleton on

I am interested in writing a sequel to someone else's movie. I was wondering, do I need permission from the original filmmakers, or can I just write the screenplay and market it as one of my own spec scripts? Margaret C., Far Hills, NJ Dina Appleton & Daniel Yankelevits respond: Great Question. Here's the answer -- you are free to go ahead and write the screenplay -- but purely as a showcase of your work. Any potential buyer of the screenplay would be precluded from exploiting it in any commercial way without separately securing the underlying rights. Sometimes (though it's...

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Who'll be Reading my Script?

Posted by Larry Brody on

Question: Can you tell me what the process is once I've submitted my screenplay to a production company? Where does it go once it's been delivered? Who reads it first, who next, and what exactly happens to my script next? Leticia R., Toronto, Ont. Larry Brody Responds: When you send in a screenplay all by your lonesome, without an agent, the odds are it gets tossed out, or you get a letter saying the company can't consider your submission without a release. If this happens to you, request a copy of their release form and sign it. The release will...

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