Advice — expert series

Too many writers fall into the trap of making Structure their Story God. There's no denying that structure is important, but paying too much attention to structure can destroy your story. We have all seen movies and read novels that feel like "paint by numbers" creations. Sure, they hit all the marks and cover all the expected relationships, but they seem stilted, uninspired, contrived, and lifeless. The authors of such pedestrian fare are Story Mechanics. A Story Mechanic is a writer who constructs a story as if it were a machine. Starting with a blueprint, the writer gathers the necessary...

About Schmidt does something that is rare in movies, especially from Hollywood. It depicts a lone man. That is both a blessing and a curse. There is a very good reason films don't usually depict a lone man. Film is drama. It is public. We need someone for the main character to talk to. Otherwise the audience doesn't know what the film is about. The main device this film uses to overcome the lone man problem is the voice-over where Schmidt reads the letters he's written to his African foster child, Ndugu. This technique not only gives the audience a...

We know J.D. Salinger's views on movies and writing for Hollywood by reading the second page of The Catcher in the Rye. Speaking of his brother, D.B., the hero, Holden Caulfield, says "Now he's out in Hollywood, D.B., being a prostitute. If there's one thing I hate, it's the movies. Don't even mention them to me." Where did this come from? Most people don't know that one of Salinger's short stories was made into a movie. "Uncle Wiggly in Connecticut" became "My Foolish Heart," starring Susan Hayward. And Salinger hated it. The result? No other Salinger fiction has ever been...

This sound familiar? You take a thankless job to pay bills for six months while you write the next great screenplay. Ten years and 20 jobs later, that great script still eludes you. Thinking about giving up? Marc Norman was. Fortunately, he decided to rededicate himself to learn the craft and write one last script. The result was Shakespeare in Love and Norman's reward was an Oscar. As a means of offering encouragement to others wondering if they should continue writing, Norman agreed to share his story. Norman received a Masters degree in English at UC Berkeley. As a film...

An old deodorant commercial once proclaimed, 'If you're not a little nervous, you're really not alive.' Pretty sage advice, even though the only thing at stake was staying dry and odor-free. But there is something to be said for accepting -- and learning to navigate -- the minor turbulences of life. I'm talking here about common, everyday anxiety. The jitters. Butterflies. This is particularly true for writers, whose very feelings are the raw materials of their craft. No matter how mundane, the small anxieties can swarm like bees, making work difficult; distractions, like an impending visit from the in-laws, money...