Advice — expert series

Approaching Character: The Circle of Being

Posted by Syd Field on

Henry James, the great American novelist, in an essay entitled The Art of Fiction, asks a rhetorical question about the nature of character: "What is character," he writes, "but the determination of incident. And what is incident but the illumination of character." The key word of course, is "incident;" what the dictionary defines as "A specific occurrence or event that occurs in connection or relationship to something else." How does this affect the creation of character? Take a look at Mystic River - the entire film is based on an event that occurs when a young boy named Dave is...

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PASSION: Without It, Forget It

Posted by Christopher Keane on

For a new screenwriter, the only way to tear down the Hollywood barriers is to burn them down with your passion. Your passion for the story and for the characters who drive it. Without Passion, your script is no more than a tinker toy network of rules and regulations, plot points and pinwheels, bare architectural bones which no one wants to see, or make. My agent one time told me to hurry up to his office; he had the next great idea for a novel and I was going to write it. He sat me down and told me that...

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Beyond Theme: Story's New Unified Field - Part III

Posted by James Bonnet on

To read Part I of this Series, click here. To read Part II of this Series, click here. In the first two parts of this series I began an examination of the true source of unity in a great story and how that unity can be achieved. I introduced you to eight of the elements that can influence that unity and add significantly to the clarity, meaning, and power of your work. The unifying forces we examined so far are: (1) The Value Being Pursued, which are the cherished values like justice, health, wealth and freedom that we pursue in...

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Getting Started in L.A.

Posted by Larry Brody on

Each year hundreds of screenplays become feature films. And each year thousands of teleplays become television episodes. Opportunity-wise, televisions's got feature films beat. TV's got the heat. The magic. The glitz. All that's missing is you. How do you change that? Well, first you've got to dedicate yourself to the Game. Accept the fact that TV is a personal business. It's about YOU first and your talent and ability second. Your next step is to adopt the "career" mindset. In television almost no one hits the jackpot with one script. In television we make a reputation for ourselves, amass credits...

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Character Emotions & Psyche: How They Shape You and Your Characters

Posted by Rachel Ballon on

"Only connect the prose and the passion,and both will be exalted." - E. M. ForsterEmotions are the lifeblood of characters and of stories. Without emotional characters, you are just writing events, but you're not drawing your audience into your story. To be a successful writer, you want to create emotional characters so your audience will become emotionally involved with them. It's important for readers and viewers to become completely engrossed in the emotional world of your characters.As a script consultant and writers' psychotherapist, I've analyzed thousands of scripts during the past 20 years where so much attention has been given...

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