Advice — advice
How to Prepare Your Stage Play Script for the Theater Market
Posted by Jonathan Dorf on
What a high: you've typed 'end of play' and that full-length stage play you've labored on for the last eighteen months is finally finished. Time to send it out to Broadway producers and get that rave in the New York Times you've always dreamed of. ADD REALITY HERE.Finishing a first draft of a play is great. But it's like building a house. If you tried to sell that 'first draft' house, buyers would wonder why you're selling a house without wiring, plumbing, coverings on the walls ... you get the idea. Ninety-nine percent of the time, you only get one...
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The Thriller
Posted by John Truby on
The Thriller is one of Hollywood's most popular forms because it combines the criminality and surprise of the detective form with the danger and pressure of horror. A good thriller puts the hero in danger early and never lets up. While the thriller usually involves a main character trying to find a murderer, it has very different story beats than the detective genre. Each beat is geared toward wringing every last ounce of terror from the hero and the audience. Thrillers tend to want to be small. It's like putting your hero in a box and squeezing. One of the...
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Writing Blockbuster Love Story Movies
Posted by John Truby on
Everyone loves a love story. But this apparently simple tale may be the most difficult form to write well, for a number of reasons. First, love is the only genre where you need not one, but two equally well-defined main characters. You know how hard it is to give depth to one character.With two, you not only have to detail their weaknesses and needs, you have to track a goal for each character that won't kill the story drive.Second, the love story has a plot where surprise must come out of intimacy. This is different from almost every other major...
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The Essence of Story
Posted by James Bonnet on
What is the essence, or heart and soul, of a great story? There are seven critical elements: the change of fortune, the problem of the story, the complications, crisis, climax and resolution of the classical structure, and the threat, which is by far the most important. In this article, we will examine the threat and its relationship to the other six critical elements that constitute the very essence of story -- that without which there would be no story. The first element is the change of fortune. There is an entity (i.e. an individual, a family, a town, a country,...
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Conquering The High Concept
Posted by James Bonnet on
In Hollywood and New York, the concept is king. To succeed as a writer or filmmaker, you need more than a skillfully constructed novel or beautifully directed film. You need an idea that will be talked about, generates excitement and compels the right people to get involved. A great idea, as it turns out, has an anatomy and a structure and that which makes a subject fascinating, a title intriguing or an idea exciting can be described and learned. Understanding the High Concept is the key to accomplishing that. But what is a High Concept? Simply put, a high concept...
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