Advice — advice

Action vs. Dialogue

Posted by Jeffrey Alan Schechter on

Question: The first five pages of my script contain a lot more movement than speech. Because of this, it's exceeding the one-page-per minute rule. It just seems to take me more pages to describe action than it does for dialogue. Is this a common problem? Do readers take this into account? Can you give me a bit of advice to either put my mind at ease or teach my to overcome this? G.K. Brothers, KS Jeffrey Schechter responds: Don't get too hung up on the one page per minute rule. While you're right that description can sometimes read slower (or...

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Comedy's Greatest Wish

Posted by Stuart Voytilla on

Comedy has always taken a supporting role to the more serious Hollywood genres. During this awards season, it's easy to recognize the year's great dramas and epics; however, 2003 was a good year for well-written comedy and romantic comedy. And the one upstart film that defied critics, warmed audience hearts, and filled distributor coffers was a comedy about a big fat Greek wedding. If anything, its success proves that during this time of economic uncertainty and global tensions, we need a well-told tale that makes us feel good about ourselves. But is comedy's sole purpose to entertain the audience? And...

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Writers Guild of America-West Registration vs. Copyright Registration

Posted by Larry Zerner ESQ on

WGA REGISTRATION vs. COPYRIGHT REGISTRATION For screenwriters who use the latest version of Final Draft ® to help write their script, one nifty feature is the ability to register the screenplay with the WGA-West Intellectual Property Online Registry with the touch of a button. Many (if not most) screenwriters register all of their scripts with the WGA Registry, and, believing that they have done all that is necessary to protect their script, they neglect to register the script with the U.S. Copyright Office of the Library of Congress.Imagine their surprise when someone steals their screenplay and they learn for the...

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Are You Ready for the Marketplace?

Posted by Donie Nelson on

1. Your First Five Scripts One of the most frequent questions I am asked is Is my script ready? Whether or not a specific script is ready is open to interpretation, based on who is reading the script. However, here are some guidelines I have developed based on my own experience as a development executive and after talking to producers, managers and agents. How do you know when you are ready? The first three to five scripts you write are usually for yourself -- they are your experiments. They are often not yet good enough to be submitted to a...

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The Myths of Writer's Block

Posted by Bruce Holland Rogers on

Claude Lévi-Strauss, the social anthropologist, believed that all myths are true and all versions of a myth are the true version. There's a reason that people tell conflicting stories about the volcano god -- did he marry the sea goddess, or did he marry the rain goddess? Both versions were told and re-told because the listeners sensed a truth in each. Conflicting myths about Writer's Block both have zealous adherents. One group of true believers insists that Writer's Block does not exist. If you feel stymied, they say, you can just put your head down and do the work anyway,...

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