Advice — advice

Blockbuster Plots by Threes

Posted by Martha Alderson, M.A. on

If you make explicit what you already know intuitively about the structure of movies and stories, you'll have yourself a conscious plotting tool. The rhythm of story is in all of us right now, especially for those who were read to as youngsters and continue to read today. Storytellers often intuitively tap into this rhythm and are able to weave all three plot lines without much conscious thought to structure. When they get stuck, it is always because one or more of the three elements has been ignored by: * Concentrating on action only, forgetting that character provides interest and...

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Writing the Action Script

Posted by John Truby on

With a good Action script you can write your own ticket. But Action is the most deceptively challenging genre in Hollywood. What may seem simple and straightforward on the movie screen actually requires careful planning and extremely creative solutions from the screenwriter. Action films are deceptive in a number of ways. Many people think Action movies lack character, plot and theme, but they're mistaken. The best Action films have deep stories, complex characters and a profound effect on the audience. The challenge for the writer is to create compelling characters, surprising plots, and important themes within the limiting structure of...

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Dare to Dream - Write Anyway!

Posted by Marilyn Beker on

Writers dream deep with eyes open. We dream about stories, characters and themes - about villains, heroes, ladies and dragons. But mostly we dream about writing. We dream about having written, about the process of writing, about the feeling we get when we've written well. We dream about communicating what we deeply feel to friends and strangers. We dream about touching someone with our words; about changing lives; about affecting the world in a deep and meaningful way. We dream about sharing secrets, about healing wounds, about providing insights and about solving problems. We dream about moving people with hearts...

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The Playwright's Guide to Submitting Smarter: A Baker's Dozen Tips to Maximize Your Chances and Minimize Your Aggravation

Posted by Jonathan Dorf on

Your new play is finally ready for submission. ("New play" means your targets are theatre companies and contests - save publishers for plays with a production history.) Of course, too many writers think their scripts are finished when they're not, but that's another story. We're sticking to the story that begins, "your play is finally ready for submission." But now what? Submitting scripts is time-consuming, the costs add up, and the odds are against you. A major theatre may have one new play slot a year, and if Sam Shepard or Paula Vogel has a new play, no matter how...

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Until Life (Plus 70) Do Us Part - The Writer's Prenup

Posted by Larry Zerner ESQ on

For many writers, working with a collaborator is great. Instead of sitting in a room, alone, staring at the wall, waiting for inspiration to strike, now there are two of you, together, sitting in a room, discussing last night's episode of The Daily Show waiting for inspiration to strike. However, as any writer who has worked with a partner knows, a collaboration is like a marriage, and like a marriage, issues of money, control, separation and custody should be discussed and agreed to in advance. In essence, the writers needs a prenup (a collaboration agreement) in order to ensure that...

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