Advice — advice

Finding Inspiration in the Cookie Aisle

Posted by Christina Hamlett on

The arrival of Daylight Savings Time three weeks early this year heralds the approach of a long stretch of summer for you to finally get cracking on that screenplay you've always wanted to write. There's only one obstacle: Where to find a fresh story to whet the appetite of prospective producers and appease moviegoers who are hungry for a plot they can really sink their teeth into. If you're gleaning a slick segue here to the topic of food, it's a theme that figures prominently in Where the Plots Are, my current work-in-progress which affirms the fact that extraordinary muses...

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Special Effects: The Swiss Army Knife of Filmmaking

Posted by Michael Slone on

Special effects have evolved in the last several years into the "Swiss Army Knife" of filmmaking. At one time, special effects were only used for "physical" needs such as rain, smoke, wind, explosions, breaking glass, bullet hits, etc. With the advances in technology, a filmmaker now has access to "digital" effects, which can do just about anything. Do you need to add a river to a scene? No problem. Do you need to make that one-story building look like a ten-story high-rise? Done. Do you need to erase that airplane that accidentally flew through your scene, and while you are...

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When a Scene Just Won't Do

Posted by Martha Alderson, M.A. on

Most of a writer's genius comes in the art of the finesse. How finely you craft your project before you let it go is up to each individual writer. As a plot consultant, I developed the Scene Tracker Kit to help writers finesse their scenes. A story comes alive at the scene level for the audience, be it a crowd or an individual reader. Well-written scenes allow both the observer and the reader to viscerally take part in the story. Some people rather enjoy a more distanced, intellectual challenge. Most, however, engage on an emotional level, too. Each scene has...

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Opening Your Art

Posted by Derek Rydall on

As conscious artists and enlightened-entertainers-in-training, we have to fight a never-ending battle for our art. Or so it seems. Our implements of war are not guns and bombs, but awareness and attention. And the only enemy we ever truly have to face is "the enemy within our own household." (Mystically speaking, this refers to our consciousness.) Finally, the greatest "act of war" we can take is to "be still and know," to "take our bloated nothingness out of the path of the divine circuits," as Emerson would say. Still, we fight skirmishes almost daily. Mapping out the terrain we want...

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A Character's Fatal Flaw: The Vital Element for Bringing Characters to Life

Posted by Dara Marks on

Growth is the by-product of a cycle that occurs in nature; that which flowers and fruits will also eventually wither and go to seed. The seed, of course, contains the potential for renewal, but does not guarantee it, nor does the seed instantly spring to new life. There is a necessary dormancy where the possibility of death holds life in suspended animation. In the cycles of our own lives, these near-death moments are rich with heightened dramatic possibilities that the writer wants to capitalize upon.These are the moments in the human drama where the stakes are the highest, where our...

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