Advice — advice

How to Write for Television: 4 Rules of Series TV

Posted by Pamela Douglas on

Break out of the box of traditional screenwriting assumptions! In this excerpt from Writing the TV Drama Series: Second Edition, Pamela Douglas gives you some new rules for writing television that have changed significantly in just the past couple of years.An hour show has to fit in an hourActually, a network hour is less than 50 minutes, with commercial breaks, though pay cable may be longer, and syndicated hours are shorter. Usually, scripts for drama series are around 60 pages, though a fast-talking show like The West Wing sometimes went to 70 pages. On networks that break shows (for example...

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How to Use Shot Headings

Posted by Christopher Riley on

We've all heard the warning against overwriting our screenplays by including too much camera direction or too many slug lines. We worry about getting it wrong, because we're professionals. Or at least we want our scripts to make us look that way. A little knowledge about how the pros use shot headings will go a long way toward equipping us to make a professional impression with every page we write. More than that, it will empower us to harness the power of shot headings to propel readers through pages that would otherwise bog down - or might not get read...

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And the Best Screenplay Goes To: An Excerpt from Dr. Linda Seger's New Book

Posted by Linda Seger on

What makes an Academy Award-nominated script? As I wrote my newest book on three Academy Award-nominated films - Sideways, Shakespeare in Love, and Crash - I wondered if it would be possible to find patterns that seemed to be true for most of these films. I wondered if it would it be possible for a writer to analyze the patterns we see in Academy Award-nominated films, in order to learn to write up to the level of a great script. As I looked at the many films nominated over the past twenty years, I began to see some patterns that...

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Writing in Restaurants 2007

Posted by Jonathan Dorf on

It's been more than two years since the last Writing in Restaurants, and in that time I've come across many new writing-friendly venues. Today, I'll be serving a five-course meal of writing tips as I introduce you to some of my latest favorites. Unless otherwise noted, these aren't plug-in or wireless venues, but they're wonderful places to stoke your creativity nonetheless. Square One Dining, Los Angeles, California Get your writing day started right with what may be the best breakfast in town at this outpost in Silverlake. They open at 8:00 AM and close at 3:30 PM, serve breakfast all...

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The Tragedy, Mystery and Romance of Genre

Posted by James Bonnet on

In my previous articles, The Essence of Story, Beyond Theme: Story's New Unified Field, and The Metaphor is King, I pointed out that all great stories have the same underlying, universal structure - namely, there is a threat, either agent or perpetrator, that creates a problem that brings about a change to a state of misfortune and is the main source of resistance that opposes the action when someone tries to solve the problem and restore a state of good fortune. In stories that end tragically, it's the reverse - the story starts in a state of good fortune and...

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