Advice

In the previous issue, we examined interdependent journeys, obstacles and destiny, and how all of these might affect the journey and the characters in your work. In this, the final installment, we'll take it one step further, and see if we can't explore the very boundaries of the journey. This means considering a journey that leads to a journey, a character that doesn't journey at all, and the very purpose for the journey itself. Why do readers need journeys after all? The Journey that Leads to a Journey The problem with resolving a journey is that the reader feels he...

Working with Pulitzer Prize-winning playwright Jason Miller and the legendary Tennessee Williams offered me a tremendous entrée into the magical world of storytelling. As American icons, their extraordinary talent inspired the world; and as screenwriters, their remarkable ability to work through the visceral process of storytelling taught me that great stories communicate simple truths that reflect the poetic dimensions of the human soul. Not only do powerful characters help us understand our lives, their stories reflect our core values as human beings. But how do we create these ideas and feelings as a story for the big screen? How can...

Documentary filmmakers, no less than dramatic screenwriters, strive to tell strong, often character-driven stories that have a beginning, middle and end, with something at stake, rising tension, and a narrative arc that keeps viewers actively engaged. Unlike dramatists, however, nonfiction filmmakers can't invent characters and plot points, but must instead find them in the raw material of real life. "The documentarist has a passion for what he finds in images and sounds - which always seem to him more meaningful than anything he can invent," wrote media historian Erik Barnouw. "It is in selecting and arranging his findings that he...

A particularly arrogant film producer once said to me, "I could be a writer, too, if I only had the time." Which implied, I guess, that if he didn't have to attend meetings, deal with studios, manage production budgets--in other words, if he didn't have a real job--he too could just sit around, effortlessly knocking out compelling narratives and crafting pithy dialogue. Yet for most writers, time is exactly that thing they can't seem to get enough of. Certainly not without carving it out for themselves, strenuously hewing a private space for their writing from a dense forest of financial...

Our reader Sanborn from Costa Rica asks: Why is there so much fuss about writing query letters? I always thought it's my story or script that counts, not my cover letter. Please advise. Marc Hernandez, Managing Partner and Literary Manager with the Crescendo Entertainment Group in Los Angeles responds: With seven years in the agency and (Literary) management business, I have received and read literally thousands query letters from screenwriters with various levels of screenwriting experience. The letters have ranged from the completely non-descript to those that have compelled me to immediately pick up the phone to call the writer....